04
SQUIRM, SHINE, SPILL
Squirm
The warning choke
of bitter smoke, a tool
that cracks the seal,
so wood-groan
tilts the world
Now wrench the lid,
our oozing body
breaks
as wax is wrecked, a cradle
pulled apart,
and there within
they glisten, fat
and wet and white
the shine of body juice,
of brood
exposed to sunlight, writhe
(my fault)
While others rush to look,
to tend with helpless feet,
antennae touch
(too late)
they die, they dry
in daylight now
(guilt fills my mouth)
they squirm:
I swallow
a swollen cough
(my eyes
slide off)
Shine
Small and brave, a single
actor for the whole,
she brandishes
what little blade
she has
she gives
the violence of her body
up to mine:
it does not land
and still, her gut-felt anger
makes its stand
She shudders, beats
her stained-glass wings,
lifts off, but leaves
parts of herself
behind:
the wet unfurling banner
shining thread
its anchor barbed
into my suit
her final act
to disembowel herself;
making me watch,
making me see
how death is tethered
to me
Spill
My ears are warm
with sound, a sibilance
swarms, surrounds
I tune into
the feel, the mood
the honeyed hum in
wax and wood
I bend: my body strains with care,
to lift the heavy whole
to heft
so many
song-full frames
But as I come to place the box back on –
and lean and hover, waiting
for the crowds to clear –
I feel my back begin to scream,
my limbs to shake,
my strength, it cannot
stretch
quite far
enough
Too fast, I set it down
and (horror) hear
the small
wet crunch
of someone crushed beneath
the sound
it curls into my open ear, becomes
a shudder, nesting,
crawls in deep
My eyes search, fearing
find the place
where one has only
half-escaped
where others rush, respond
to fluid spilled that screams
its scent: alarm!
too late, they touch her
where the box bisects
her body, pollen-fuzzed
and burst
(who holds a hope against
so great a weight?)
Apart, I grieve
the insufficiency of flesh
(let crunch replay):
with haunted ears
eat grief, drink grief
in the one silence
cast my way
- These poems emerged from my autoethnographic study of hobbyist beekeeping as a white/Pākehā woman and mother in Aotearoa, New Zealand. As part of a wider interest in ecological distress and climate emotion, I have explored beekeeping as a site of negotiation for moral life in the Anthropocene; it is situated in global environmentalist discourse, in specific local histories, and (raced, gendered, dis/abled) subjectivities. These poems specifically aim to use sensuous and creative methodologies to hone in on questions of responsibility, response-ability, and care via a connection to the idea of ‘body horror’, taken in film and media genres as a particular sub-genre of horror, but used here as part of a broader anthropological approach to recognising moral feeling as entangled with the material, the bodily, and the visceral.
- Dr Susan Wardell is a multidisciplinary writer and lecturer in Social Anthropology at the University of Otago in Aotearoa, New Zealand. Her research delves into care, affect, embodiment, health, disability, and digital spaces, with recent projects on online medical crowdfunding and climate grief. Exploring the potential of creativity, her work spans writing, photography, film, drawing, and stained glass, and she’s increasingly active in cross-disciplinary, collaborative projects, creating immersive installations and performances.